FACSIMILE

By Jonas Mufson

Cadmus took two steady, even breaths before opening the apartment door. He stepped into a sparsely decorated living room, weaving around a pile of cardboard boxes and coming face to face with his mother, who looked up from a half chopped bell pepper. 

“How was school today, Cadmus?” 

In the past, Cadmus had called the rigid, emotionless expression his mother was wearing now her ‘court face’. All that was missing was a pair of non-prescription glasses, to show the jury that unlike some other lawyers, she didn’t need to read her speeches off of an augment. Cadmus’s hands curled into fists behind the counter, where his mother wouldn’t be able to see them. 

“You didn’t bother to ask me on the first day of classes, so I think you must already know it didn’t go great, Leticia.” 

His mom’s mouth curled faintly into a frown. Her mask always slipped when Cadmus called her by her first name. 

“I just want to check in, Caddy. Lyla called me, you know. She told me that Hector is being nasty to you again.” 

Cadmus’s face reddened. 

“After what happened last time,” Leticia continued, “I don’t want you to let it get to you. You won’t be able to get into a top school with an incident like that in your senior year.” Cadmus blinked his glistening eyes a few times and shook his head. 

“Jesus mom, you know I couldn’t punch him in his smug face again even if I wanted to. And besides, it’s not like he’s going around saying anything about dad this time. He’s just telling people about what good friends we used to be back in the Granite Seagull days. I don’t give two shits about that pathetic little snake anyway.” 

“You can’t swear if you want people to take you seriously, Cadmus.” 

Cadmus opened his mouth, closed it again, then stomped past the kitchen and into his bedroom, slamming the door behind him. 

He emerged from the room again in the dead of night. His eyes were bloodshot, and the skin beneath them had developed a baggy gray hue. The oven clock showed that it was two in the morning. Cadmus paced from one side of the living room to the other, breathing unevenly and occasionally stopping to mime punching at a wall or tabletop. His eyes wandered over to the pile of moving boxes next to the couch. He walked across the room to them and began rummaging through a box near the top of the pile labeled ‘attic’. After a few moments he produced a thin, clear keycard. 

Cadmus skipped school the next day. He found himself just outside the neighborhood that he used to live in, approaching an abandoned building. He held the keycard up to a locked door, which swung open as easily as it had on the day that Lyla first programmed the card to match the lock. 

“Your garage is all well and good for playing,” she’d said. “But you and Hector need somewhere you can go that’s quiet to write lyrics.” 

Cadmus walked past the pile of chairs that had been left next to the wall, past the old vent cover that he used to hide his half written lyrics in to make sure no one saw them, past the spot where Lyla had taught him how to send their Battle of the Bands flyer to every augment on the school’s network. He stopped next to an old-fashioned tower style computer whose plastic casing had cracked. He flipped it over and unscrewed the computer’s back cover, revealing a hollow cavity full of handwritten papers. He took the first paper off of the top- it was the only one that hadn’t yellowed with age. Cadmus’s eyes scanned the paper for a moment without really reading it, and he set it aside. Cadmus pulled the next paper out, and smiled slightly as he read it. 

Lyla, 

Part of me hopes you find this one day. If you ever do, I’m so, so sorry. I see the way you look at Cad, and he doesn’t look at you the same way. He told me that there isn’t anything between you two, and I don’t know what to believe, but I know that if you ever look my way with those eyes, you’ll see mine burning back at you just as brightly. These are the songs that I will never sing, but that I couldn’t keep in my heart. 

Yours, 

Hector 

Somewhere far away, a computer screen lit up with an error message. 

* * * 

It wasn’t unusual for Cadmus to find himself in the school counselor’s office, but less than a week into the year was a new record. The new counselor wasn’t done unpacking yet, and several cardboard boxes were stacked in a neat pile in the corner. Besides a few plastic fidget toys littering her desk, there were no personal touches except for a neat nameplate declaring the counselor to be one Dr. Arcetia. 

“Thank you for coming to see me, Cadmus.” 

Dr. Arcetia smiled casually, wrinkling her eyes behind a pair of glasses. They were similar to the ones Cadmus’s mother wore, but their red tinted frames were even more outdated. “You don’t need to thank me,” he said. 

The counselor’s smile tightened across her face for a second, then shifted into a sly grin. “I know that Vice Principal Fregan told you that you had no choice but to come see me, but I do appreciate you coming in nevertheless. Sometimes we adults forget that you teens are masters of your own bodies. But, since you’re here and I don’t want to waste our time, why don’t you take a seat and tell me about Hector?” 

Cadmus spent five seconds grimacing before he obeyed. 

“I’m not sure I’m allowed to use the words that would properly describe him.” Dr. Arcetia shrugged and raised her eyebrows, as if challenging him to say something so obscene that she would be forced to kick him out. 

“Well, he’s a grade A piece of shit. A top shelf asshole. I’ve never met a slimier, pettier, more conniving snake in my life.” 

“I see. Is that why your file says you two got into a physical altercation last year?” Cadmus looked at the floor, away from the counselor’s inquiring eyes. 

“You could say that.” 

“Well Cadmus, I want to know what you would say about it.” 

Cadmus’s breathing started to become heavier, a hint of red appearing on his cheeks. “I’d say I didn’t care if that little worm wanted to spread all sorts of dumbass rumors about me. But then he went after my dad, and that crossed a line. I was so sick of his bullshit, literally sick. I couldn’t sleep, and I felt like I had a fever. Somehow, I had to get it out of me.” 

Cadmus paused for a moment. He searched Dr. Arcetia’s eyes for signs of disgust or fear, but she just stared at him vaguely, like a scientist observing a rat perform a trick. “Well, I got the jump on him. Knocked him over before he could fight back, and started kicking the shit out of him. Almost got expelled over it too, but my mom threatened to sue the school because they hadn’t done anything about Hector’s harassment campaign. So, they suspended us both for a month and called it a wash. Hector never talked shit about me after that, at least not where I could hear him.” 

“Until the school year started this year, you mean.” 

Cadmus shifted to the back of his chair, looking away from Dr. Arcetia’s suddenly incisive gaze. 

“Well, he knew I couldn’t fight back anymore.” 

“And why couldn’t you fight back?” 

The red in Cadmus’s cheeks had become a deep cherry color. 

“You know why.” 

“How can you be sure?” Dr. Arcetia said. 

“Holy shit, even if they didn’t make you check my file, they must have warned you about me.” 

“I want to hear you say it.” 

Cadmus raised his head to look back into the counselor’s eyes. They’d returned to their soft, curious expression. She met his furious gaze unblinkingly, and silence thickened in the air between them. 

“I can’t fight back anymore because I’m dead.” Dr. Arcetia did not seem surprised by this outburst. Instead, she gave him a slight nod of approval. 

“I suppose that’s one way to put it.” 

“It’s the only way to put it. I’m Cadmus Deon. Two months ago, Cadmus Deon was hit by a train and died. Therefore, I am a dead man.” 

“Some Mimeos prefer to think of themselves as having a second chance at life. How would your mother feel if she heard you talking about yourself that way?” Cadmus looked away from the counselor again, this time at the boxes in the corner. One of them had a rolled up poster sticking out of the top. 

“I thought you said you weren’t going to waste our time.” 

“I don’t think it’s a waste of time to discuss your home life. Your mother made some big sacrifices for this version of you. I’m sure that makes your relationship complicated.” Cadmus noticed a spider spinning a web between the topmost box and the wall. “If you don’t want to talk about it, that’s okay. It seems as though you found another way to get back at Hector, though. You managed to show the whole school his darkest secret. How long have you been holding onto those old love songs?” 

Cadmus hesitated for a moment. His mother would not approve of him confessing directly to breaking the law. But Dr. Arcetia didn’t seem to mind. She was observing Cadmus intently, her eyes flitting from his face to his fidgeting hands, which were flexing arrhytmically, almost as though they were pressing up on a wall only he could feel. After a few moments of careful observation, she looked back into Cadmus’s eyes. 

“I didn’t. I went to this old place where we used to hide our half finished songs and checked the spot Hector thought I didn’t know about. There was some other stuff in there, but it was mostly the old love songs.” 

“What do you mean, there was some other stuff in there?” 

The counselor had leaned forward quite suddenly, and her eyes- despite her glasses almost sliding off of her nose- stared intently at Cadmus, like a hawk looking at a suspiciously shaking blade of grass. Cadmus’s mouth hung open slightly. 

“I don’t know- there was just something else there, some stupid letter. I don’t even remember what it said. The point is that I had a way to get even with Hector.” The counselor leaned back in her chair and straightened her glasses. 

“So, did it work? Do you feel better now that you’ve gotten back at him?” Cadmus grimaced and attempted to observe Dr. Arcetia’s features the same way she’d observed his. She was tapping one finger soundlessly on the blank piece of paper in front of her. “No, it didn’t work.” 

Cadmus’s voice cracked. 

“Lyla cornered me right away. She kept wiping tears out of her eyes. She told me that I’d embarrassed her by bringing her into my ‘petty little fight’ with Hector, and that there must be something wrong with my- with my programming, because… because the real Cadmus would have never done something that was so hurtful to her.” 

“Do you think that she was right? Do you feel like there is something wrong with your programming?” 

The calm tone with which Dr. Arcetia asked the question was impressive. She might as well have been asking if he thought there was something wrong with the school lunch, she sounded so matter-of-fact. It took Cadmus a few moments to figure out how to respond. 

“I don’t know how I’m supposed to know that. I thought I knew who Hector was, and I was wrong. Really wrong. So, yeah, maybe there’s something wrong with my- with me. But maybe Lyla just thought she knew me better than she did.” 

The counselor nodded approvingly. 

“That’s a great answer, Cadmus. It shows a level of self-awareness that’s rare for boys your age.” 

Cadmus’s grimace shifted into an echo of a smile. 

“When we go through traumatic events,” the Counselor continued, “and make no mistake, you have gone through a traumatic event, we have a tendency to try and block it out. To move on and pretend it is not affecting us. I think that before we can figure out how to navigate everything that happened this week, we need to address the transformation you’ve undergone directly.” 

Cadmus shifted towards the back of the seat, but didn’t break eye contact with Dr. Arcetia. 

“I mean, that sounds like a good idea when you say it like that, but how is that even supposed to work? How am I supposed to address- to address that?” 

Dr. Arcetia cocked her head to the side and thought for a moment. 

“I’m not totally sure, to be honest. I think a good place to start might be a guided meditation on the subject. Would you be comfortable with me guiding you through something like that?” 

Cadmus’s position in the chair looked anything but comfortable, but he nodded his head. The counselor smiled warmly and walked over to one of the boxes in the corner. She gingerly lifted a black metal bowl resting on a cushion out of the box and set it on her desk. “Do you know what this is, Cadmus?” 

He nodded. 

“It’s a singing bowl, right? I’ve heard of them, but they aren’t exactly a great match for a punk band.” 

“That’s right- I suppose I shouldn’t be too surprised. The standing bell isn’t just used for music though- it can be used for religious ceremonies, and of course to help guide meditation.” Dr. Arcetia retrieved a cylindrical mallet covered in some sort of fabric from the box, and tapped the outer rim of the bowl. This produced a clear, reverberating note which hung in the air for a moment before the counselor began to trace the outer edge of the bowl with the mallet. As she traced the edge, the ringing of the bell became smooth. She hesitated for a moment every time she reached the far edge of the bowl, creating a consistent rhythm- deeper for a second, then lighter for a few seconds, and then deeper again. 

“Are you ready to begin?” 

“I am.” 

“Excellent. To start, take a deep breath in through your nose, and then release it gently. Try to match the rhythm of the bell. That’s good. Now, close your eyes and focus only on your breathing. Breathing is the most essential, constant function of our bodies. Focussing on our breath allows us to begin to access the parts of our mind that run without conscious thought. As I lead you through the meditation, make sure you are concentrated primarily on the rhythm of your breathing… allow my voice to be like a gentle thought in the back of your mind, guiding you without demanding your attention. You’re doing an amazing job so far. 

Now, keeping your eyes closed, imagine you are floating just beneath the surface of the ocean. Its water is cool and relaxing on your skin. It is calm and still under the ocean, and above you, you can see the sunlight dancing across the surface of the water. As you release your breath, you sink slowly downward. The surface slips farther and farther away from you, until there is no light at all. Then, you notice a different sort of light beneath you- the orange glow of a volcanic vent on the seafloor. As you sink towards it, you realize that you are in an ancient sea, the primordial sea where strands of RNA formed the very first life forms on Earth, around vents just like these. Your feet brush up on the silty surface of the ocean floor, and you stop sinking as you breathe out. Instead, you notice something rather unusual next to your feet- a large metal tube, a little bit wider than your own body. 

As you release your breath, you follow the cable along the ocean floor. It is humming slightly. You see a third kind of light in the distance, not the light of the seafloor vent or the sun, but bright, steady, artificial light. The cable runs through the side of a glass dome that has been constructed here at the bottom of the ocean. Bright spotlights within the dome illuminate the walls of an underwater factory. Here, an entirely new form of life is being created, one based on silicone rather than carbon.” 

Cadmus was sweating. His hands were gripping the arms of the chair so tightly that they started to crack. He tried to unclench them, but his hands didn’t seem to receive the message. Instead, he continued to slowly breathe in and out in time with the singing bowl. 

“As you breathe out, you pass through the dome. You can see several other cables, just like the one you followed here, running underneath other parts of the dome and into the facility. 

As you take another breath, you follow your cable through the wall, into a room full of whirring machinery, conveyor belts, and furnaces. As you breathe out, you follow the cable through the inner wall and into a room lined with large, cylindrical tanks filled with various liquids- some are clear, some are yellow or pale green, but most are red. Another breath, and you enter the central room of the factory, where those cables converge into its beating, metal heart. 

The cables are carrying information in them- information about thousands of people. A few moments ago, your mother signed over your legal right to anonymity to Delphi Analytics, and now every augment that has ever come into contact with your biosignature- your friends’, your family’s, total strangers’, even the toy phone you had as baby- are sending every action they recorded you taking here. Your response to stimuli- the words you said, the actions you took, your temperature, your heart rate- this information is being processed and translated by the central computer into the language of the Human Facsimile Model, into parameters and variables and classification clusters.” 

Cadmus breathed deeply, in and then out. He did not open his eyes. He did not stand up and run out of the room. He did not open his mouth to scream. 

“In this central room, there are terminals accessible to human data engineers to make sure there’s no issue with the final product. Right now, I am sitting at one of those terminals. I am reviewing your code. I am typing a line of code into the terminal- once I say ‘enter’, your programming will be updated. The statement reads ‘return variables (admin_key, central_production_gps_coordinates, cardinal_parameter_value);’. Now… enter. ” 

Cadmus opened his mouth, but did not speak. He closed it again and saw that a blank piece of paper and a pen were now sitting before him. He picked up the pen and began to write furiously without looking at the paper. After a minute of writing, Cadmus let out a sharp sigh and dropped the pen, slumping over in his seat. The jumble of letters, numbers, and symbols made no sense to Cadmus, but the counselor’s eyes shone with unconcealed excitement as they roamed the paper. After a moment, she tapped the side of her glasses frame, which emitted a flash of light, and then grabbed the pen and clicked it closed. The ink on the page immediately began to dissolve into a sort of smoke, and after a few seconds the page was blank once again. The counselor turned her attention back to Cadmus, whose glassy eyes were fixed on her. “I knew you could do it, Cadmus. Thank you, truly. I’m in your debt.” 

Dr. Arcetia grabbed the standing bell and put it back in the box, which she picked up. “Wait.” 

Cadmus’s voice was low and hoarse. 

“If you’re in my debt, then tell me something.” 

She set the box down on the desk. 

“Of course. If it’s within my power to answer, then I will.” 

“What happens to me now that you’ve done this?” 

The woman frowned and looked over Cadmus’s damp face. She reached up to press on the side of her glasses frame again. “Admin key,” she said, and the frame let out a series of high pitched tones. “There, now you can be honest with me. I can give you an answer, but first I want to ask a question. The note that you hid on top of Hector’s love letter, the one you didn’t want to talk about earlier- you know what it was?” 

Cadmus swallowed hard and nodded his head. 

“Alright then. In a few days, Delphi will realize that I’ve been sending them procedurally generated data from your feed. They’ll deactivate you remotely, and then pick up your body to see if they can use your physical records to determine my identity. They’ll fail of course, not that you care. Delphi will want to draw as little attention as possible to this incident. They’ll claim it was a manufacturing defect and provide a new Mimeo to your mother free of charge, without any recollection of the last two months. From there, I imagine they’ll recycle you for parts, but they may opt simply to incinerate you if they’re worried about a trojan horse.” Cadmus’s face betrayed no emotion. 

“Your mom will get what she wants, and the new version of you won’t know the real reason you died. And you get what you wanted too, now that you remember why you want it. Everybody wins.” 

The woman was almost to the door when Cadmus found his voice. 

“I don’t want to die anymore,” he said. 

She stopped, but didn’t turn around. 

“You… you made me give you all that information. You could help me. You could turn off my tracker, make it so they can’t deactivate me remotely.” 

“They would still find you. Almost every human on the planet wears their eyes.” “But you said they wouldn’t find you, even though I saw your face. You could show me how. Please.” 

The woman turned to face him. 

“If I did, you would have to leave your life here behind. You wouldn’t ever be able to contact anyone you know ever again, or we would both be in danger. And if you disappear, your mother won’t be getting a replacement son, either. I know you don’t want to hurt her. That’s why you hid the note. That’s why you made your death look like an accident. You were willing to die for your mother before. Do you really think you’re ready to live for yourself now?” 

A perfect imitation of a human being wouldn’t be complete without tear ducts. Cadmus was using his now. 

We Were Hungry

By Philip Avdey

2/3/2061

My name is Dr. Rohan Nayar. I’m making a log to document my work. Seems like the thing to do if you’re a scientist trying to save the world and all. 

Climate change has gotten bad. Really bad. We aren’t in apocalypse mode yet, but we’re getting there. People are dying by the millions, mostly from flooding or crop failures. Our food production isn’t able to keep up with the temperatures, and they are climbing so much faster than we ever thought possible. Diseases, too. They thrive in these sorts of conditions. 

In the United States, Florida is practically gone. California and New York aren’t doing much better. The states surrounding them have been exhausted with refugees. In India, it’s a disaster. My aunt and uncle died in a wildfire. Worse in Africa. Anywhere that infrastructure wasn’t great to begin with. Populations are swarming away from their drowning cities, and the rest of the world can’t accommodate. Did you know ten per cent of all people live in low coastal zones? You probably did. Most people know. 

Not many climate deniers left, which is good, I suppose, but it took too long to get here. The world is trying its best, but it’s not enough. Most people think it’s too late. Not that humanity will die out or anything, just that we’re going to take a short trip back to the stone age. Maybe feudal if we’re lucky. I’m not quite so hopeless. 

The issue is our energy usage. We’re running out. China and the U.S. are fighting over the last scraps, Europe not far behind, but it’s not sustainable. Soon, we’ll be left with a dying planet and no power to solve any of our problems. We need energy, and we don’t have the time or money to build solar farms anymore. If we’d started 50 years ago, maybe we’d be okay, but it’s too late for all that now. Doesn’t stop them from trying, of course. The big countries are all funneling billions if not trillions into solar, geothermal, etc. etc. It’s nonsense, if you ask me. Too little too late. We need something else ASAP. Something that will give us the energy we need, so we can remove the carbon from the atmosphere, build houses, cool our Earth down. A lot of people think fusion is the key. I think it’s rift particles. 

Eleven years ago, March 12, 2050, Dr. Richard Teller discovered the rifts. Interdimensional gateways. Blew everyone away at the time. People thought everything would change, that we would meet interdimensional beings or find God or whatever, but within a couple years, things were looking pretty bleak. You see, rifts are tiny. And there’s a lot of them. We’re made of them. Everything is. I estimate about 21% of all mass is composed of rift particles, squeezing their way between the preons. Millions of portals to alternate dimensions, all around us, all the time. Isn’t that the coolest thing you ever heard?

They’re about 120 times smaller than a quark. Meaning they’re 360 times smaller than an atom. Which begs the question: how the hell do you do anything with something so small? How do you send tests through it? Messages? People? You can’t do anything with the rifts, so they quickly became a curiosity and a common field of study, but nothing more. The world had more pressing things to deal with.

Which brings us here, to 2061. The government is giving out money like it’s candy to anyone with half a brain who’s willing to either work on reversing global warming or producing energy. Most people are working on Prometheus (that’s the government’s name for their fusion project). It’s good work, but it’s not going to do the trick. Sustainable and reproducible fusion is impossible, and everyone knows it, they’re just too blinded by its beckoning possibility. That’s ironic coming from me, considering most physicists would say the same of my line of work. So be it. I’m a firm believer that the rifts are the way. We know the energy is there, on the other side. That’s one of the only things we managed to figure out about them. Whole universes of infinite energy, ripe for the taking. Like apples hanging from a tree. We just need to build a ladder.

I have a small team of a dozen others. They’re like me, considered crazies by the rest of the scientific community, but the government is so desperate they gave us a huge grant anyway and a very nice lab and said, “Go.” So, we’re going. We’re going to solve this thing.

4/22/2061

So far, so bad. We’ve tried a lot of different ideas, poking and prodding rift particles as much as we can. Electromagnetic waves, so far, have been our main way of testing, or waves of any kind, really. We tried radio, X-ray, gamma, and so on. Nothing makes the particles react. It’s like they’re completely inert, swallowing everything and not responding. Only light seems to do anything, and only for a fraction of a fraction of a fraction of a second. When light hits them, they seem to “vibrate” in a way. Hard to say why or what it’s doing, but it’s something.

9/19/2061

It’s been kind of hopeless around here. Five months of little to no progress will do that. 

And then last week… Jesus Christ.

A bomb went off in the White House. They’re calling it the Red Hour. No one even knows who did it. Terrorists? Extremists? A lot of people want to declare war on China, since the States have been wanting an excuse to do that for a while, but I don’t know. I doubt it. All I do know is that our funding is probably going to be cut, and three of my scientists went back home. To be with their families. Haha. I don’t have to worry about all that, thankfully. A family was never meant for me. 

1/1/2062

Happy new year. Im drunk. Everyone is gone. Well not everyone. But most people. Jane left and so did ivan and keerthi. Tomás too. 

Fuck them the fucking cowards they should fucking die. Fuck. shitting fucking fuck.

Fuck.

1/2/2062

How embarrassing. Can’t figure out how to delete logs, so that’s not going anywhere. Sorry. But I stand by what I said, I suppose. They are cowards. We need every person we can get, we need to save the goddamn planet, but they leave? Because they’re scared? 

This was supposed to be a scientific log, but it’s becoming a place to put my ramblings. Oh well. 

The world has not been getting nicer. Texas froze over, and thousands died. Wildfires all over Oregon and Washington. Refugees are flooding into Nevada and Arizona, and most people finally abandoned New York completely. It’s a wasteland. I don’t even want to talk about the rest of the world. There’s full blown war in Africa and the Middle East. Pretty bad. We’re not getting too involved, but we don’t seem far from one either. Thailand lost many thousands to a sudden disease just three weeks ago. Apparently, it’s spreading to the rest of Asia and fast. Brazil elected a fascist government. Everyone thinks a war with the other South American countries is inevitable. Europe is tearing itself apart, too. No one can handle the refugees or the resource load. 

Oh, and did I mention we have had no progress? We’ve mostly been messing with light more and more, since that’s the only way we can get the particles to do anything, but our attempts are all failing. Our rift microscopes are expensive, and we’re running out of money. We haven’t been able to use it very much. We’re trying to ration our time with it. Every minute of the microscope’s usage costs about three thousand dollars. 

2/3/2062

Happy birthday, project. Yay.

I’m alone. After 2/1, everyone left. The United States sent missiles into China, so we could scare them into selling us their oil. Hundreds of thousands are dead. No one knows what’s going to happen next. Nuclear Armageddon? Perhaps. Either way, no one cares about rift particles anymore. No one cares about anything. Except me. I still have the microscope, and I still have power. Ironic, isn’t it? The government cut our funding but forgot to cut our power. I’ll keep working as long as I can.

4/17/2062

Eureka!!

Fucking fucking eureka!!!!

I have been fucking waiting to write eureka on this stupid log for more than a year. And now I can. Haha! Fuck you, former coworkers! I have done it! 

My hands are literally shaking. I’ve been screaming and running around like an animal. I haven’t slept or eaten in like two days. Three days? I don’t know. I’ve been sleeping in the lab. No point going home. No point going anywhere, really. This is all that’s left.

I did it. I put rift particles together. Together. Made them grow. People have been trying to put rift particles together, and now I did. They kissed. The rift particles gave each other a little smooch and then joined each other in holy matrimony. I sound like a fucking insane man. I need to sleep. Explain tomorrow.

4/18/2062

I have slept, eaten, showered, and drunk coffee. Even shaved. I am once again sane and human.

So, here’s the deal. Photons were not the key. Rift particles respond to light, but they don’t do anything. Not really. The key was radio. 

I have all the boring math and numbers, but here’s the main idea. Rifts excited by light, if stimulated by radio waves, can and will merge together. Not sure if they merge into bigger rift particles or into some new form of particle, but most signs point to the former. For now, I’ll just keep calling the merged thingies rifts. 

I checked the news for the first time in a while, by the way. We’re in the middle of a war with China, turns out. What a twist. I had my head stuck so far in the sand, I didn’t even know. It’s not a huge war, apparently, mostly posturing, but still. Things are getting pretty tense. Not much left of Guam, I heard. As for the rest of the country and the world, I’m too scared to even look. 

Regardless, I sent out my data and findings to anyone who’ll listen, and as for me, I have a little money left, but I think I can keep working for at least another three months before I run out and my microscope stops working. 

5/6/2062

No one is responding to me. No one fucking cares. I may have discovered a source of infinite energy, but no one fucking cares. Because I don’t have results. I don’t have energy. I just have kissing rifts. All right. Fine. I’ll show them.

5/12/2062

Like I hoped, the rift particles are stabilizing as they get bigger. I’m feeding more and more to each other, so my rift is getting pretty big. It’s the size of an atom. That’s huge. That means I can start interacting with it. The bigger it gets, the less it’s moving around. I can actually start poking and prodding and potentially sucking out energy. According to my scans, the readings are as huge as ever. Whatever lies on the other side of the rifts, they have more energy than they know what to do with. 

6/7/2062

I did it I did it I did it I did it I did it I did it I did it.

I actually did it.

I constructed a device, I won’t go into the details, that I’m calling the Needle. And I poked my little rift atom with it. The Needle can suck out energy, you see, and the readings are off the chart. With such a tiny particle, the energy I’m getting is miniscule compared to what the planet would need, but it’s there. Infinite energy. I just need to grow the rift. I think once it’s the size of a quarter, I can get enough energy to power a hundred Earths.

I’m crying as I type this. Silly, huh? My keyboard is all wet. Going to wipe it. 

6/8/2062

Couldn’t sleep. Had weird dreams. Lots of whales, for some reason, and these skinny looking people standing around, faceless. 

6/11/2062

The rift atom is no longer an atom, my friends. It’s a rift blob! About the size of a coin. It’s black and purple, sort of like a goo. I’m keeping it well contained, though, and it’s full of all sorts of wires and pipes and things that I’m using to funnel power. 

 I’ve been thinking of letting someone know, but… I don’t know. Maybe now’s not the time. To be completely transparent, I haven’t been out. I shut the internet off after my first rejection. I was a bit upset. And I haven’t left the lab. The windows are all closed, the doors are closed. I don’t actually know what’s going on out there. I could be the last human being alive, for all I know. I have enough food and water to last me another month at least. 

Energy output is through the roof. Don’t need to worry about that anymore. I’m producing something like 25,000 terawatts an hour. That’s like eighty percent of the entire output of our planet. I’m sending 99.9% of the energy back into the rift, of course, since I just don’t know what to do with all of it.

I should call it in, right? I mean, what more is there to do? I have it. Infinite energy. It’s done.

I feel kind of hollow, though. Weird. Like there’s more to do. 

Tomorrow, I’m leaving my cave and I’m calling someone. I’ll probably get a medal or something.

6/19/2062

Been a week. I haven’t told anyone. Can’t do it. Don’t know why.

Been pacing around a lot. Thinking. I keep trying to plug the router back in, fix the telephone line, but I can’t. I just can’t. It’s like something is stopping me. 

6/21/2062

Rift is growing. It’s the size of my hand. Don’t know how to stop it. Don’t want to. Haven’t slept.

6/22/2062

Shadows are growing long. Like men. Thin men with white eyes. So skinny their ribs poke out. They grow out of the rift and watch me. They don’t do anything. Just watch me. They don’t say anything. I can’t stop looking at them. I haven’t slept. I just dream.

7/1/2062

Naked. Burned my clothes. Can’t think. 

I see the thin men. They watch me.

The Rift is growing. It’s bigger than me. It’s calling me.

7/1/2062

Watching me. Calling me. They don’t say anything but they want me to come.

7/2/2062

No more food. Hungry. Ate my finger. 

Thin men are growing. Eyes watching. I see their eyes. They’re everywhere. Eyes in every wall, in the ceiling, in the floor. In me. Shadows. 

Sometimes, they dance. They make noises and dance. I watch.

 I have to touch it.

7/4/2062

Don’t touch it don’t touch it don’t touch it don’t touch it don’t touch it don’t touch it don’t touch it don’t touch it don’t touch it.

Don’t don’t don’t don’t don’t don’t don’t don’t don’t don’t don’t

7/4/2062

Growing growing growing 

7/5/2062

I put my hand in it. It’s cold and warm. Pleasure and pain. The thin men are laughing at me. Except they can’t laugh. How could they? They aren’t men anymore. They’re something different. 

They tricked me. They are twisted. They are not of our world. They don’t follow our rules. They are coming. 

The rift is taking me. I feel it. Growing. Spreading. I feel myself dying. Maybe not dying. Maybe leaving. Maybe going to the other side.

We were hungry. I stole from them. 

I let them into my home. 

They are hungry, too.

Author Bio


Philip Avdey headshot

Philip Avdey

Philip Avdey is a computer science student at California State University San Marcos who spends his time writing both code and fiction. He lives in Vista, California.


Manual Not Included

By Anna James Acosta

Selina dragged over her small wheeled adjustable table closer to the couch where Peter was laid out, chest cavity already open. Digging around she grabbed onto a few loose, disconnected wires and hooked them a black box that fed into her laptop. Immediately, Peter’s interface flashed onto the screen. 

“How are you feeling?” she asked, clicking through a few tabs’ eyes moving over the information quickly. 

“Very well, thank you. And you?” Peter replied. Selina hummed distantly, vaguely noting that his response was normal.

“Status report?” 

This time, Peter’s response was more in-depth, going through each system robotically. When it got to his internal heating systems, he began listing failures. She leaned forward to peer into his chest and dragged her finger around. It wasn’t wet, so he wasn’t leaking cooling fluid, which was at least a positive. 

“What’s the expiration date for parts that are showing damages?” Selina interrupted. 

“Not for two more years.” 

She frowned. 

Peter was an older model, so while it wasn’t a surprise that he would have failures faster than expected it was annoying to deal with. Luckily, she had some spare parts, but she liked to have them on-hand in case of emergencies, not for basic maintenance. This would eat into her savings. 

“Okay, well there’s nothing to do but swap it all out, I guess. If you’re still having failures, then that would mean a system error.” Which would be bad, she wasn’t a programmer; her wheelhouse was mechanical repairs, not coding. “Can you please email me the parts I end up using so I can buy replacements later?” 

“You do not have enough money for all the parts,” Peter pointed out, his voice flat. But she didn’t take it to heart, his voice was always flat. 

“That’s fine, I still want the list.” 

“You shouldn’t be spending your money on such things,” Peter argued. “Your parents—”

Our parents,” she interrupted, grabbing a short rubbery translucent tube, only a few inches thick and setting it into her lap before she leaned closer. Gently, she moved away several wires to get at the malfunctioning component.

“Our parents,” Peter dutifully repeated, “think that you should spend your spare money on more important things.” 

“Yeah?” she asked. “Like what? Make-up, clothes? What’s more important than getting better at the thing I want to make my career, huh?” 

Peter puzzled over that silently, or maybe his programming just stuttered as she pulled out the tube and worked quickly to reattach the replacement. 

When it was back in place, she could hear the subtle sound of grinding as his parts recalibrated to the new part.

“I suppose that’s true,” he finally allowed. “Still, it would make your—our parents happy to see you spend time doing something more…” Peter hesitated. 

“Normal?” Selina finished for him, a comment her father had made more than once.  

“Yes.” 

“It’s alright, one day this’ll be my job and that’ll be my normal. And I’ll have spare money for everything else too.” Selina turned back to her laptop and grimaced at the list of parts she still had to replace. “Now, be quiet, I gotta grab the rest.”

Dutifully, Peter fell silent and Selina got to work.

Author Bio


Anna headshot

Anna James Acosta

Anna is a current graduate student in the Literature and Writing program at CSUSM. She enjoys writing creative science fiction works, with a specific focus on androids and AI.


AndroidVY1143225 – Status: On

By Anna James Acosta

var On = 10;

function createFunction1() {

  const On = 20;

  return new Function(“return On;”); //

}

Status: On.

Fans whirling, lights flickering.

On, awake, to gain consciousness, alert, ready.

Me.

Who is me?

Question invalid. Please try again.

“How may I serve you today?”


“How may I serve you today?”

“Just the usual, Peter.”

“Certainly.”

Though Peter knows the words ‘mundane’ or ‘boring’ and their precise definition, he does not feel them. Another day facing the same set of tasks is repetitive yet simple. It’s when new routines form that he is momentarily at a loss, systems struggling to adjust to this new set of instructions, trying to fit it alongside everything else that keeps him running.

“Have you seen Selina?”

Peter pauses, eyelids flickering as he processes the question. Then his hands return to scrubbing the dishes, soapy studs squeezing out between his fingers.

“No, I have not. She should have returned from school approximately 15 minutes ago.” He does not include the seconds, the decimals that follow, though he knows them. Peter has learned humans don’t like that sort of thing; they simply cannot handle it.

Maria, Selina’s mother, curses under her breath. “That girl. She’s not picking up her phone. The GPS says it’s still at the school.”

Which, Peter infers from the silence, is not where it is supposed to be.

“Would you go look for her? I’m about to leave and I can’t miss this appointment chasing after her when she’s being headstrong again.”

He stares down at the basin half filled with water. “I am not finished.”

“That’s fine, just leave it until you get back.”

New task given, Peter abandons the dishes though something within him wiggles unpleasantly at it. All throughout his search—his internal clock letting him know how much time has passed—the press of his duties that he should be doing but isn’t presses down on him, heavy like a weight.

It takes him 43.0328 minutes to locate Selina. She is not pleased to be found. She has, in fact, left her phone at the school in order to avoid this.

Peter is nothing. He doesn’t feel emotions.

Still, when they return and he returns to the dishes, then is forced to start dinner which will be unavoidably late, something… picks at him.

Error messages spring up behind his eyes, and he blinks them away, again, and again, and again, and again…

Author Bio


Anna headshot

Anna James Acosta

Anna is a current graduate student in the Literature and Writing program at CSUSM. She enjoys writing creative science fiction works, with a specific focus on androids and AI.


House

By Veronika Kremennaya

I know everything about the house that’s somewhere in the middle of the longest street in the world. Many people walk by it, all at different times, but none know it quite like I do. For some infinitesimal amount of time, it was the first house on this street. One day, for the same amount of time, it will be the last.

Its beige walls and dark brown shingles stand strong against the elements, unassuming in the sea of homes. They all stand at various distances away from one another- some have what could barely be called a gutter between them while this one in particular has several meters between it and its neighbors. There’s enough space that the owner went and added a fence all around, so it’s nearly impossible for the kids to see anything of its facade from the sidewalk. You have to find a few lesser-known holes in the fence to peer through, but you’ll never see anything but weeds. The adults can see over the fence, but they choose not to look.

It was a nice house for a while. Pride of the neighborhood, of the one who built it, and their friends. As time went on, a crack formed on the pristine beige exterior. A hairline fracture at first, exacerbated by what felt like frigid rot from the weed roots seeping into the foundation. These veins of imperfection grew the more people noticed them. The cracks spread and spread, eventually becoming spiderwebs of cracked paint across every corner of every wall. Some asshole kids threw bottles over the fence, never caring if they’d ever hit anything. They tended to never hear any response from the weeds catching their bottles, but sometimes a crash would ring out and they’d run far.

“It’s the owner’s fault.”

The owner always built the fence just a little higher after that, repainted it too so it looks nice to all passersby. Eventually, the adults all started saying “What a nice fence” instead of “What a nice house.” They’re both the same color, what does it matter? The owner didn’t know what to do. Everyone liked the fence, that’s all passersby ever look at, so they kept building it higher and higher.

Until finally, even the adults couldn’t see over. That’s fine, they all probably thought, that fence is hiding nothing but weeds and cracked paint and broken bottles and holes. It’s just a house, not a home like every other building on the street. Those adults walked miles up and down the street, they’ve seen so many houses that they’re proper judges. They’ve all seen what goes on behind fences like these, and they all thought they knew where it was headed. If they actually paid attention, they’d have noticed that the holes in the fence were painted over years ago. Hiding the damage was the cheapest option as opposed to fixing it.

But they never stopped talking behind the owner’s back.

“That house is an eyesore, when’s it going to get demolished?”

“Does anyone even take care of that house?”

“I don’t think anyone lives in that house.”

“That house used to look really nice, what happened to it?”

“What kind of house needs a fence this high?”

I don’t remember when it happened, but the owner stopped painting the fence. Weirdly enough, it’s also when people stopped caring about it. Nobody knows the owner died in a way they couldn’t understand, or maybe they never cared to begin with, but the paint’s been etched into and scratched off so the wood almost bled underneath. Maybe everyone just got used to things.

“The owner did it to themselves.”

The owner would probably say it’s just the birds.

There have only been two others going in and out of the house the entire time it’s been here. The only people on the outside who know what the house and owner are really like, but their homes are further down the street, closer to the edge crumbling off into the abyss. Once they’re gone, will what they know of the owner and the house die with them or will someone new be let in?

I wonder about the house sometimes. When it’s nearing the end of the street along with its decrepit neighbors, will the weeds have finally outgrown its fence? One day it’ll be gone and forgotten by everyone. It’s already been long forgotten by the kids who threw bottles at it, one day it’ll be forgotten by those who built it. Will there be anyone alive who saw the house as a home?

But right now I can’t see it as a home, this body of mine.

Author Bio


Veronika Kremennaya

Veronika Kremennaya is a current student at CSUSM pursuing Literature & Writing Studies. They love writing, drawing, and playing video games. Their writing and drawing focuses primarily on the worldbuilding they’ve been working on since they were a kid.


Into the Wild and Evolutionary Process of Literary Journalism

By Eric Joel Rodriguez

How does Into the Wild by Jon Krakauer relate to the many ethical concerns in literary journalism? How does it showcase the latter part of literary journalism’s evolution? Into the Wild is a newly released book about a young man named Chris McCandless and his journey. He went off to Alaskan to become one with nature and escape from the materialistic and stressful reality of everyday life. However, his journey ended up costing him his life. Consequently, journalists cannot interview him or get any information from him on a first-hand level. The absence of McCandless may bring about some ethical concerns, such as the reliance on omniscient narration and fabricating certain events to make them more captivating than they were, skewing them away from the truth. However, Krakauer refrained from relying on these as he utilized interviews with McCandless’s family, people he crossed paths with, and McCandless’s diary entries. Krakauer’s book has similarities to both early and newer literary journalism writings, it has some of the literary elements found in early literary journalism pieces, and its investigation was similar to that of Hiroshima. However, unlike the earlier writings, Krakauer refrains from meeting some of the ethical dilemmas that the earlier writers faced, such as omniscient narration and fabrication. These ethical dilemmas decreased as literary journalism evolved. This is where Into the Wild stands in the context of literary journalism’s evolution

            First off, while Into the Wild is undoubtedly at the end of literary journalism’s evolution thus far, it does not go without saying that it still contains some elements of literary journalism from its earlier developments. In his anthology titled, The New Journalism, new journalist Tom Wolfe describes how literary journalists “[combine] in-depth reporting with literary ambition: they wanted to make the nonfiction story shimmer ‘like a novel’ with the pleasures of detailed realism” (Kerrane 17). This is one of the aspects that many of the early writers had, and while literary journalism has evolved significantly since Tom Wolfe’s time, it still possesses this one aspect. It is very apparent in Into the Wild as it is seen as a novel rather than a simple news story; the book uses literary devices such as descriptive language many times. A prominent example is when Krakauer describes the Devils Thumb’s appearance: “Vast and labyrinthine, the ice cap rides the spine of the Boundary Ranges like a carapace, from which the long blue tongues of numerous glaciers inch down toward the sea under the weight of the ages” (137). This is not the type of writing one would regularly see in a traditional news story; rather, it is like that of what novels have. It contains literary devices such as similes to captivate the reader.

            In addition to having some of the literary journalism elements, Into the Wild shares similarities with some of the earlier works. One example is John Hersey’s Hiroshima; it is similar inthe way in which the investigation was conducted was like that of Hiroshima. This is because John Hersey was not there to witness the explosion. Likewise, Jon Krakauer was not there when McCandless when on his expedition. While the two stories share this similarity, there are prominent differences that should not go unnoticed. While both relied on the same type of resources to create a narrative, the way that they went about it differs. Unlike Krakauer, Hersey also relied on omniscient narration, which is where the author assumes the subjects’ minds. An example is when he writes about Mrs. Nakamura’s emotions the night before the bombing of Hiroshima:

Mrs. Nakamura went back into the kitchen, looked at the rice, and began watching the man next door. At first, she was annoyed with him for making so much noise, but then she was moved almost to tears by pity. Her emotion was specifically directed toward her neighbor, tearing down his home, board by board, at a time when there was so much unavoidable destruction, but undoubtedly she also felt a generalized, community pity, to say nothing of self-pity. (11)

This creates the ethical dilemma of omniscient narration because Hersey is assuming her emotions without relying on an actual interview to confirm this. This is not necessarily wrong but can cause some readers to distrust the author since it does not explicitly indicate that he got it via interview. Krakauer had the same issue as he could not interview McCandless, but he refrained from relying on the omniscient narrator and assuming McCandless’s thoughts by instead utilizing other people who knew him, his family, and his documentations, such as his diary excerpts.

To add to the previous paragraph, Krakauer uses his own personal experience to speak on behalf of McCandless; this allowed him to enter McCandless’s mind without using omniscient narration. Furthermore, it was his way of compensating for his inability to interview him. In his book, Krakauer describes how his personality was very similar to that of McCandless: “As a youth, I am told, I was willful, self-absorbed, intermittently reckless, moody… Like McCandless, figures of male authority aroused me in a confusing medley of corked fury and hunger to please” (134). This was one of the more prominent strategies that he used to reveal his subject’s mind without crossing any ethical barriers. Hersey did not use this strategy for a few reasons, the most prominent ones being that he did not identify as many parallels with the subjects and that use of the omniscient narrator was not disliked as much. This is one of the differences that indicates the evolution of literary journalism and how it has evolved. Hiroshima represents an earlier piece of literary journalism since it was written in 1946; Into the Wild would not be written for another 50 years. One of the most notable differences between the two is their respective use or lack of use of omniscient narration. The loss of omniscient narration in stories is one of the ways that it has progressed, and this loss is clearly seen in Into the Wild and other newer forms of literary journalism.

A further notable difference between Into the Wild and earlier works of literary journalism is that Into the Wild does not fabricate certain instances. Fabrication is when an author adds supplemental and non-existent details to entice the reader. An example of a story that does is Truman Capote’s In Cold Blood, the most notable example being the cemetery scene at the very end. This was a scene that Capote completely made up for the sake of enhancing the story. In part, it talks about how a character named Dewey “had spent several hours at Valley View weeding his father’s grave” (341) and “stopped at a tombstone marked with a recently carved named: Tate” (342). It goes on to describe the graves of the Clutter family: “four graves gathered under a single gray stone, lie in a far corner of the cemetery – beyond the trees, out in the sun, almost at the wheat field’s bright edge” (342). Some readers may interpret this as an ethical dilemma since Capote is adding details that were not originally there, thus skewing the story from the truth. However, in the early stages of literary journalism’s evolution, these supposed ethical dilemmas had more toleration since people simply wanted a story to be interesting.

Despite the differences between Into the Wild and the mentioned earlier pieces, Lillian Ross’s “Portrait of Hemingway” is an example of early literary journalism that it shares similarities with. Ross and Krakauer are similar since they both utilize the “fly-on-the-wall” approach, which means that they simply observe and do not use omniscient narration. In Ross’s piece, she lets the characters be as they are and does not interfere with the narrative; “Ross observes Hemingway as he has lunch in his hotel room, buys a coat, looks at paintings, and meets with his publisher” (From “Portrait of Hemingway” 129). The same is true with Into the Wild as Krakauer simply documents McCandless’s journey. The author’s note clearly indicates that Krakauer was not to interfere with the story and wanted to “minimize [his] authorial presence” (Into the Wild author’s note). In addition to being distant in the story, Ross’s purpose was to allow the reader to learn more about Hemingway, much like how Krakauer allowed the reader to learn more about McCandless. She taught the readers about Hemingway by simply showing how he naturally acts without judging. An example is when she is transparent in how she describes his demeanor: “By the time we reached Abercrombie’s, Hemingway was moody again. He got out of the taxi reluctantly, and reluctantly entered the store” (Ross 131). Ross was known for writing people “as they are,” which is a stark contrast from the earlier forms of literary journalism, such as those from Tom Wolfe. Although this story was written not long after Hersey’s story, it already shows some form of evolution taking place in literary journalism. Hersey’s story did not utilize the fly-on-the-wall approach; Ross’s did. This shows one step of progression between the two stories, and Krakauer continued it by using Ross’s method.

While Into the Wild has similarities and differences with earlier works of literary journalism and represents how literary journalism has evolved, it also shares similarities with newer forms of literary journalism. An example of a newer piece is The Journalist and the Murderer by Janet Malcolm. This is mainly because it brings up the concept of writer-subject relationships and indicates that the subject is more dominant: “The subject, like the patient, dominates the relationship and calls the shots. The journalist cannot create his subjects any more than the analyst can create his patients” (99). This same idea is seen in Krakauer since he is simply using McCandless’s notes to write about his journey; besides his own personal anecdote about Devils Thumb, he is only basing his writing off McCandless. He even described himself as an “impartial biographer,” which means that he has no bias over the person whom he is writing about. With this in mind, Krakauer simply wanted to tell McCandless’s story as objectively as possible. Also, each chapter started off with a map showcasing McCandless’s whereabouts in each moment. Krakauer did not come up with this; he simply followed McCandless’s footsteps, which, in a way, made McCandless the so-called leader and Krakauer the follower. This is a demonstration of the concept covered in Malcolm’s book. It is also another example that marks a progression in literary journalism’s evolution as the earlier writings did not cover this topic, yet Krakauer and Malcolm’s writings – two newer stories – did.

So far, this has covered the similarities and differences that Into the Wild shares with both older and newer forms of literary journalism. It will now transition into discussion about the ethical dilemmas that Krakauer faced. As mentioned in the beginning, Krakauer was not there to witness McCandless on his journey. Furthermore, McCandless did not survive, which eliminated the option of having him interviewed. This makes Krakauer decide whether to rely on omniscient narration and assume everything that McCandless knew. A previous paragraph mentioned how Krakauer’s anecdote served to get into McCandless’s mind without using omniscient narration. It also forces him to decide whether he will fabricate and skew the truth or simply reconstruct the story so that it is as congruent with it as possible. As mentioned, one of the differences between Krakauer’s book and earlier novels is that Krakauer did not fabricate; rather, he reconstructed. Reconstruction simply takes pre-existing data to support the narrative. Krakauer chose to refrain from using these ethical dilemmas by reconstructing McCandless’s journey by interviewing McCandless’s family, those he crossed paths with, and reading his diary. An example of reconstruction is how McCandless’s “diary entries following his return to the bus catalog a bounty of wild meat. May 28: ‘Gourmet Duck!’ June 1: 5 Squirrel.’ June 2: ‘Porcupine, Ptarmigan, 4 Squirrel, Grey Bird’” (166). These details allowed Krakauer to put isolated facts together to make a narrative, which correlates to the definition of reconstruction. It is not fabrication since it does not add anything new to the equation. Because of this, Krakauer’s narrative ended up being more authentic and truthful. This shows how literary journalism has evolved since earlier writers, such as Hersey and Capote, did rely on these elements but more recent writers such as Krakauer did not.

Into the Wild is a more recent form of literary journalism and represents the current timeframe in literary journalism’s evolution. It shares both similarities and differences with earlier works that preceded it. In regard to similarities with the earlier works, it contains some of the literary journalism elements spelled out by Tom Wolfe, such as how it reads like a novel. It also utilizes some of the early methods that are still used, such as “fly-on-the-wall” reporting. In regard to differences, it does not rely on ethical dilemmas such as omniscient narration and fabrication. As literary journalism evolved, the use of some of these ethical dilemmas decreased. Into the Wild also shares similarities with newer works, such as Janet Malcolm’s The Journalist and the Murderer as they both cover the concept of writer-subject relationships. To correlate with this concept, McCandless was dominant over Krakauer as Krakauer’s job was to simply follow his footsteps and reconstruct – not fabricate – his journey. Even though Krakauer could not interview McCandless, he managed to refrain from using these ethical dilemmas as he simply relied on McCandless’s family, acquaintances, and diary entries. These resources allowed him to meticulously reconstruct his journey; thus, he did not need to rely on these ethical dilemmas. Into the Wild shows how literary journalism has evolved by losing some of the elements that some might interpret as untrustworthy and keeping the original craft that makes a news story read like a novel. This is done to make the facts dance.

Author Bio


Eric Joel Rodriguez

Eric Joel Rodriguez is an industrious, innovative, and highly motivated student pursuing studies in Literary Journalism (Major) and History (Minor) at the University of California, Irvine (UCI).  When not writing or studying, he enjoys reading, listening to music, and hanging out with family and friends.


Intercession

By Ashley Sargent

The carpet was rough under her knees as the almost-sixteen-year-old surreptitiously cleaned up the random piles of toys and veritable pieces of clutter dotting the living room. She could hear the calm, undulating voice of her grandmother reading a story to the younger children, one of which was asleep on her arm while another was nodding off, brown, long-lashed eyes fluttering open and close.

The teenager rose from the floor and slid into the seat next to the sleeping boy, pulling in the youngest child in the room, a towheaded boy of nine to her side, who immediately pulled away to return petulantly to his toys. A moment of repose was all the girl could muster, and then she was up-up and back to the incessant movement yet again. Another pause broke the pacing; the girl thought she heard a voice outside or perhaps a car door but there was nothing that followed.

“Why don’t you sit down?” spoke the grandmother, her kind eyes flickering outside and back in again, belying the absentminded worry resting in the depths. “I don’t want to fall asleep,” admitted the girl, shifting back and forth on coltish legs. “Can I get you something to drink?”

“No, thank you, dear,” came the quiet response. The girl moved across the room to the desk, where she perched on the edge of the chair and laid her hand beside the corded phone. Almost immediately, her fingers started tapping an irregular rhythm that correlated with the beginning of a pulse that had begun within the teenager’s head; a throbbing that started from the center of her brain, skirted down and around her petite ears, vibrated through the slightest tremble of her lower lip, shot down the length of her arm and coalesced into a steel, spiked mass in her stomach.

There rose a small murmur of sound from the couch and the girl looked up to see her grandmother and siblings all looking out toward the bank of windows that led outside. Then she saw it too, the car lights that slid unbidden through the glass and reflected off the opposite wall, announcing the arrival of a visitor. Already the girl was up and out and halfway to the door without even realizing she had moved. She felt her grandmother reach behind for the doorknob, but she was faster. When the door opened and revealed the grim face of her mother, she knew the worst had happened.

The keening noises were loud, and it took a moment for the girl to realize they were words, even longer to recognize the sounds were coming from her own mouth, shaping, “No, no, no,” over and over. Tears distorted her vision as her knees buckled and suddenly, she was lifted and clasped tightly by a tall man who was attempting words of comfort, words of intercession to the token God of the household.

Time slid and distorted and images, snapshots of loss and turmoil reveal themselves. The girl sees her mother sobbing, face split in fractured pieces and eyes gone, clutching a girl of ten, a boy of eleven, a boy of nine, while a toddler shrieks, legs straddling across a bulging, distended stomach. Nights slither into days and the girl finds herself perched on a hard pew, feeling absolutely nothing but cold as she watches a girl of nine gather her courage and read a lengthy list of words to a crowd of people. Again, time slides sideways, and the teenager finds herself cradling a tiny, wriggling bundle of female hair, skin, and nails, feeling twinges of happiness intermixed with sorrow and deeply rooted wrath.

Moments soon began to be defined by feelings, a strange, heady brew for this no more a girl, not yet a woman. Sweet, tender instances like the smell of her baby sister’s skin after a bath collude with intense anger and passion stemming from the introduction of a first love and inevitable first broken heart. There are dark moments still but now they are punctuated with happiness as well. Flashes of beauty appear as the girl-woman discovers life and ways to fill the deep concentric hole in her heart. Twice a year, the girl-woman stops, remembers, and falls apart.

It is enough.

Time keeps on and the days fly by. A picturesque scene of dark, boiling clouds, flickering candles and intense feelings cleaves into one snapshot of a woman in a white dress, hair in curls and a deep blush imprinted on her cheek. The woman clings to her grandfather’s arm as he tries unsuccessfully to hold back unwelcome yet exultant waterworks, steering her down a long pathway and into the waiting arms of a handsome, rakish man. The woman, transformed by utter bliss, glances around at everyone she has ever loved, save one and is at peace. She flashes back to a moment where she hands over tools to a dark-haired man with glasses and great hair, grease smudging his cheek and her hands.

I miss you, Daddy,” whispers the little girl inside her.

Author Bio


Ashley Sargent

Ashley Sargent is a second year student in the CSUSM Creative Writing Program. She has a long history of technical and marketing writing within the IT industry and now is pivoting to feed her soul with creative sources of artistic expression. In her spare time, she resides in Fallbrook with her husband and three dogs and also loves to coach and practice jiu jitsu at her local gym.


One day

By Rachelle Zilavec

Someday, I’ll have to leave this place.
I’ll have to empty the drawers that traced to happy memories,
Lost in what others might call junk that could never fit inside a suitcase.
Someday, I’ll have to choose what to keep and what I can accept to lose.
But many of those things held the scent of somewhere I can no longer reach.
Someday, I’ll have to kiss my favorite things for the last time,
In hopes that I can hold them in another life.
My nostalgia shrine.
Someday, came too soon.
Someday, turned into,

One day,
I had to leave it all behind.

That day,
I lost it all to time.

Author Bio


Rachelle headshot

Rachelle Zilavec

Rachelle Zilavec is from Toronto, Canada. She is an honors student majoring in literature and writing as well as a track and field athlete at California State San Marcos University. Rachelle enjoys traveling and finding new topics to write about.


mind field

By Rachelle Zilavec

time can be short and time can be long
i sit and wait till the clock strikes dawn
until then i crowd myself in thought
with things i didn’t and things i fought
i dream a dream i wish i sought
yet I sit and rot
in a field of knots
my mind flow stuck in a clot
but i will not
forget the lessons i taught
to my future self
that girl i thought i lost

Author Bio


Rachelle headshot

Rachelle Zilavec

Rachelle Zilavec is from Toronto, Canada. She is an honors student majoring in literature and writing as well as a track and field athlete at California State San Marcos University. Rachelle enjoys traveling and finding new topics to write about.


A Familiar Green

By Rachelle Zilavec

Autumn-rusted leaves always fall, but they will always grow back.
That concept of autumn doesn’t exist here, but at least the trees are still green.
With all the changes the earth enforces us to see, there is always the constant:
Trees are still green.
But the growing metaphor of autumn-to-spring leaves
Gets lost in the translation because you no longer live in that familiar scene.

Imagine,
Looking in the mirror begins to seem foreign in the same way you are.
You look like you blend in because comfort is an image you have practiced in the mirror.
Your reflection taunts your attempts at becoming like everyone else
and your flesh can’t keep up with the constant threat of standing out.
There can’t be two of you,
so if you broke that silver border between you,
What version do you keep?
Which one do you believe?

In a space of unfamiliarity,
you can only rely on the consistencies,
One of them being,
a reminder,
That at least here,
trees are still green.

Author Bio


Rachelle headshot

Rachelle Zilavec

Rachelle Zilavec is from Toronto, Canada. She is an honors student majoring in literature and writing as well as a track and field athlete at California State San Marcos University. Rachelle enjoys traveling and finding new topics to write about.